jeudi 24 septembre 2026

Sobre el tremendo documental "The Mission"

Bajo el título Medics smuggle iPhones into Gaza to film documentary ["Personal médico mete de contrabando un par de iPhones en Gaza para filmar un documental"], Middle East Eye hilvana unos retazos de entrevista dedicada a un documental que acaba de presentarse al público: "The Mission" (2026).
En los casi diez minutos de entrevista que vamos a mostrar, más abajo, van expresándose alternativamente el cirujano de guerra británico-iraquí Dr. Mohammad Tahir y el director y productor Mike Lerner.
Hablan sobre su proyecto audiovisual y la aberrante distopía muy real a la que se refiere, y es que el metraje documenta las indescriptibles tareas médicas del doctor Tahir en el contexto de un genocidio en la Franja Gaza.
Oímos y vemos así, "sin filtros", lo que supone trabajar en los hospitales del infierno peor que dantesco en que Israel ha convertido ese pedacito de Mediterráneo, desde la atención a pacientes afectados por todo tipo de horrores en instalaciones médicas desbordadas de gente, carentes de todo, asediadas, atacadas, hasta el testimonio sobre la urgencia, la angustia y las enormes presiones que pesan sobre los equipos médicos gazatíes —blanco ellos mismos de los disparos y bombas del ejército genocida, que les dedica incluso sus técnicas matarifes de "double-tap" o doble golpe, ya saben, esa técnica militar sionista que consiste en bombardear dos veces el mismo objetivo para cepillarse también a los equipos de socorro y ambulancias.
Por supuesto, Israel también les reserva la prisión y la tortura. Recordemos que fuentes del Ministerio de Salud de Gaza y organizaciones como Medical Aid for Palestinians (MAP) sitúan la cifra de personal médico asesinado por Israel en la Franja de Gaza en como mínimo 1.722 —entre médicos, enfermeros, paramédicos, conductores de ambulancias y personal administrativo hospitalario. Ya no pueden contarlo, ya no pueden sanar.
Además, al menos 362 miembros del personal médico que opera en Gaza han sido secuestrados por las veteranas fuerzas coloniales genocidas de Israel. Con sadismo especial para quienes más resisten, como el doctor Hussam Abu Safiya, director del hospital Kamal Adwan en el norte de Gaza y símbolo de la mayor belleza de la humanidad.

Supongo que nada que no supiéramos, en general, y en muchos detalles. Hemos asistido a muchísimos otros testimonios al respecto, todos impresionantes, como el de la doctora estadounidense Mimi Syed, el de Mohammed Salha, el del asesinado Abu Nuzhaila (quien, antes de ser liquidado por el ejército colonial, escribió en una pizarra: "Hicimos lo que pudimos. Recordadnos"), los de los cirujanos britanicos Victoria Rose, Ana Jeelani y Graeme Groom, el de los Doctors Against Genocide... El interés de este crudo documental radica en su condición, de nuevo, de potente testimonio personal —durísimo, con (enésimas) imágenes de verdad—, para consideración de negacionistas, que aborda, con todas sus historias concretas, uno de los temas más ilustrativos del genocidio en el que está empeñado el Sionismo para vaciar Palestina de su poblacion nativa y reemplazarla por completo: la conversión de los supervivientes en enfermos y mutilados hambrientos, sin recursos y sin refugios, a la intemperie, que no puedan ni refugiarse, ni curarse, ni mitigar sus sufrimientos. Y la conversión del trabajo de los médicos (cada vez más escasos) en un inhumano trabajo de Sísifo que sólo crece, horroriza y no permite ni el descanso físico ni mental. Por eso... nadie es el mismo después.
El testimonio de Mohammad Tahir es abrumador, el contenido y las imágenes de la película... insoportables. Cuidado.
Lo que nos cuenta es insufrible e intolerable, y si tenemos especial interés en transmitirlo es porque el doctor Tahir ha dicho expresamente que quiere que sepa: "I would love for that message to come across". Que haber visto de cerca el horror, haberlo tocado —en un mundo gobernado por psicópatas que cultivan diversos negacionismos—, no sea en vano. Y porque los seres humanos no podemos aceptar sin auténtica reacción este martirio palestino inacabable ni la impunidad genocida sionista que sigue perpetrándolo alevosamente. Tenemos que seguir denunciando e intentando parar ambas cosas.

“I am not the same person I was before I went to Gaza.”

In this interview, British Iraqi war surgeon Dr Mohammad Tahir and filmmaker Mike Lerner discuss The Mission, a documentary following Tahir’s medical missions to Gaza. The film offers an unfiltered look at the reality of working inside Gaza’s hospitals, from treating patients in overwhelmed medical facilities to witnessing the immense pressures faced by local medical teams.

The Mission contains graphic footage from inside Gaza’s hospitals. Viewer discretion is advised.

[“Ya no soy la misma persona que era antes de ir a Gaza”.

En esta entrevista, el Dr. Mohammad Tahir, cirujano británico especializado en la guerra de Irak, y el cineasta Mike Lerner hablan sobre «La Misión», un documental que sigue las misiones médicas de Tahir en Gaza. La película ofrece una visión sin filtros de la realidad del trabajo en los hospitales de Gaza, desde el tratamiento de pacientes en centros médicos saturados hasta la inmensa presión a la que se enfrentan los equipos médicos locales.

«La Misión» contiene imágenes explícitas del interior de los hospitales de Gaza que pueden traumatizar a los espectadores.]



Middle East Eye: Medics smuggle iPhones into Gaza to film documentary, 23.09.2026.


TRANSCRIPCIÓN [las acotaciones entre corchetes son aclaraciones o desarrollos de mi cosecha]:

Capítulo 1: Gaza under fire

Catherine "Cat" McShane (MEE): This documentary was shot on iPhone smuggled into Gaza by medics.

Dr Mohammad Tahir (War Surgeon and founder of Al Risaleh Foundation): I have never seen anything like this in my life. Everywhere you look, there is destruction. It's apocalyptic.

There is a sea of people walking around with injuries, mangled limbs, or burns, or shrapnel injuries to all of their bodies, dead children, dead women, people who are clearly innocent. [Hay un mar de gente caminando con heridas, miembros destrozados, o quemaduras, o heridas de metralla en todo el cuerpo, niños muertos, mujeres muertas, gente claramente inocente.]

Those were the darkest days of my life, and I will never forget those.

When I tell you about all the different levels of human suffering that is ongoing in Gaza, which you can imagine, it's happening.
I suppose this is one of the reasons why international media are not allowed in. Because if they were and they were able to be those witnesses, the story would have been much different.

Mike Lerner (Director and producer): It's a film that doesn't pull its punches. That is quite shocking in many ways, but you know… but then the genocide is shocking.
I think there's so many people that have kind of got used to seeing these abhorrent images of death and destruction. And we wanted to kind of, in a way, put a more human side to this and show the victims and those that are contributing towards their salvation in some way.

Capítulo 2: The mission of Dr. Tahir

1:25
Dr Mohammad Tahir: There was a lot to consider before committing to a movie like this. Did I want to be in the limelight? Did I want people to know me? I really didn't. I wanted to go unknown, unspoken of. I just wanted to fulfil what I considered was my duty. And so, what was a surgical mission, what was me being a doctor exclusively going and helping, really morphed into several roles.
You morphed into a journalist, you morphed into someone who gave a voice to the voiceless.

Mike Lerner: And we were very very lucky to meet with Dr. Tahir, and he agreed to make this film. And then, we filmed with him for quite a bit of time in London and elsewhere before he went back to Gaza for his third mission. And then, when he went back, we gave him a couple of iPhones to smuggle into Gaza to give to two of his medical colleagues, two of his nurses. And we thought it would be great if we had a bit of footage of him doing his stuff in the film.
And then, when they returned four months later, we had 100 hours of footage.

Capítulo 3: Crisis in hospitals

2:37
Dr Mohammad Tahir: The very first hospital I visited in Gaza was the European hospital in April of 2024… and I was shocked from what I witnessed.
It was not a hospital. It was a refugee camp. There were thousands of people that were seeking refuge and shelter in the hospital, in the corridors, on the stairwells, in the ER [Emergency Room]… everywhere, everywhere.
They lived in the hospital. They were trying to escape the killing of Khan Yunis and Rafah. Well, at that time, it was Khan Yunis. We were missing so many important medications, antibiotics, pain medications, anaesthesia.
Every hospital had its own flavour of suffering. You know, the south was different to the north. The north lacked for example specialists. There was no vascular… very few vascular surgeons. There was no ICU [Intensive Care Unit].
So many people died unnecessarily. There was no blood products or very few blood products. There was no availability of something called platelets [“plaquetas”].
Many many people died despite your best efforts in the operating room.

Capítulo 4: Witnessing the conflict

3:47
Mike Lerner: We were very fortunate that Dr. Tahir and his team moved around Gaza.
So, we weren't just sort of stuck in one place, one hospital. So, we get glimpses of life, as it were, and death, around the country, and… I mean, really, in particular, the second half of the film really is about Dr. Tahir being in the north of Gaza, which at that time was a desperately dangerous place to be, and it still is. And I do believe that Dr. Tahir was the only western or foreign doctor in the north at that time.
So, so, yeah, so, we choose these scenes, and we choose this material based on the way it can expand our understanding of what was happening there.

Dr Mohammad Tahir: What we witnessed in Gaza, really, is something that I find incredibly difficult to convey, and these emotions have changed with time. The more that distance has been created, the more I feel, wow, what the hell did I witness? How the hell did that happen? How did humanity let that ever occur? That Gaza was such a bloodbath, an abattoir of humans.
It was indescribable. And no place was safe. And that included hospitals.

Capítulo 5: The reality of trauma

5:08
And I remember very very clearly many… just quite astonishing moments, you know, when on the operating room where I'd run out of gauze and I had to ring the same gauze from blood to just keep reusing over and over and over…
The bombing that would occur, and the whole building shaking in the middle of operating, and everyone looking at each other thinking oh, my god! they've hit the hospital!
You know, that happened when I was in Al-Aqsa [Hospital – gasps…].
And… just the sheer number of people coming through the Emergency Room… every day with these mass casualty events, people on the floor, limbs hanging off, guts out, faces opened up, brains out, people, children dying everywhere, people gasping for their last breath on the floor… No ventilators to… not enough ventilators to share between people coming to the resuscitation room, in the Emergency Department…

Capítulo 6: Synthesizing the narrative

6:00
Mike Lerner: Out of those hundreds of hours of footage, as you can imagine, there's a lot of repetition to that. I mean, there's so many different operations, and life-saving operations, and scenes of terrible injury and death… And so, you know, when you're first faced with this, you know, it does seem relentless, and quite frankly, people sort of get a bit bored with seeing those things over and over again.
But then, as we kind of re viewed the material more, and looked into, we found there were various themes and layers to it that would be interesting. So, it's about pulling out... so, the things you choose are not just because they look a certain way, but because they also tell a wider story, whether it's about lack of resources in the hospital, or the prevalence of shrapnel wounds in people, the relationship between Tahir and his staff, and the general progress of the genocide.

Capítulo 7: Personal transformation

7:05
Dr Mohammad Tahir: I was watching the movie again recently and… man, I just thought, my god! what the hell was I really there? [recuerdo que escuchando este fragmento me acordé ipso facto de Si esto es un hombre / Se questo è un uomo de Primo Levi] It just… it felt so surreal.
I'm not the same person that I was before I went to Gaza. I don't have any of the same interests that I had before Gaza. I'm so focused, laser focused on… the process that liberates our people. This is my goal. This is my mission. And all human life is equal. So, our mission is to work on liberating our people, and unfortunately, I've been placed in a position where sort of transcended from a role of just a doctor into something else now.
It's a huge burden. I don't like it. I wish I was an unknown person, but… this is the reality and so, this is the responsibility, and I must continue until my last breath.

Capítulo 8: Message to the future

7:59
Mike Lerner: I can't think of other films that had an embedded crew for like four months. So, and the amount of material and the kind of material that was achieved, you know, I've not seen in any other film, and the fact that the people making the film are involved in the story: they're right at the centre of everything 24 hours a day. I mean they eat, sleep, with him, and so, the intimacy of it, and the… I think, the amount of… I suppose, detail, if you like or… access to the reality of the situation is very profound.

Dr Mohammad Tahir: I would love for people to watch this and look at a very ordinary person, that is myself, and think… you know what: if you believe in something so much, and you believe in humanity so much, and you commit to it, then you can make an impact, and you can change… something about this cruel world.
And I… really, I put that message to the younger generation, that —I hope— watch this and take some inspiration from it.
Because they are the ones that are going to shape the future. They are the future leaders. They are the future policy makers. They are the decision makers. They are the ones that will shape this world.
And I hope that, when they get into fields like medicine and so on, that they understand that there's a huge responsibility there, and even for non-doctors and people are not in the healthcare field, in any capacity that you work in, that, if you believe in the cause of humanity and you go out there, you can make impact and I would love for that message to come across.




jeudi 17 septembre 2026

Nuestra libertad de expresión ilustrada por el caso Ed Sheeran-Macklemore

Hace poco he leído el comentario del lector de un diario. Estaba muy orgulloso de nuestras democracias occidentales, no parecía admitir su historial de atrocidades y afirmaba: "Pero entre otras muchísimas cosas buenas, prácticamente todas a mi modo de ver [de las democracias occidentales], en ningún otro de los sistemas que hay o haya habido en la Tierra podríamos Vd. y yo disentir públicamente sin ser uno de los dos asesinado o acabar en la prisión" [cf. #10 aquí].
Panglossiano puro, nuestro amigo parece vivir en Jauja, qué felicidad. Su caso (¿ingenuidad, cinismo, ignorancia, balcanización del cerebro?) me recuerda al de una persona de mi entorno que confesaba tan ricamente que en la época de Franco podía hacer todo lo que le daba la gana. No era consciente de que estaba informando bastante más sobre sus pulsiones que sobre el régimen de Franco.
Al lector en cuestión le sucede lo mismo: nunca han ido por él, todo es Jauja. Y no va a ser fácil que nadie lo persiga, lo despida, lo censure, lo denuncie, lo juzgue, lo enchirone, lo liquide... si, al escribir sobre el régimen de los Señores, se arranca por ditirambos y otras pleitesías que no harán precisamente temblar los pilares del sistema.
Nuestro autocomplaciente lector, bien educado por la prensa libre y plural, no ha notado que en nuestras relaciones exteriores, "entre otras muchísimas cosas buenas, prácticamente todas", somos nosotros, siempre hemos sido nosotros, los de las “armas de destrucción masiva”, los de la napalmización, agentenaranjización, arrasamiento, devastación constante de países enteros con saqueo posterior. En eso ha consistido nuestra “superioridad”, ayer y hoy.
En cuanto al ganado interno y su libertad de expresión y manifestación, nuestro entusiasta lector tampoco ha percibido que, "entre otras muchísimas cosas buenas, prácticamente todas", no es lo mismo hablar desde el púlpito (o agruparse en multitud disidente) que cuchichear en los bancos. La censura a Adèle Haenel, pese a su carte blanche, lo ilustra bien.
Nuestro dichoso lector —¿iluso, ciego, avalador de crueldades?— vive en el mejor de los mundos, en paralelo a o al margen de las masacres, torturas, asesinatos, represiones, censuras, etc. que han cultivado y cultivan a espuertas, sobre blancos precisos o grupos considerables, todas las democracias occidentales de ayer y hoy —la lista de represaliados de diversa índole que empecé a hacerme mentalmente resultaba interminable... A lo mejor un día la coloco en otro artículo a modo de desordenada letanía de la edificante infamia democrática.
En fin, con la excusa de las palabras de ese lector obnubilado, voy a recordar un caso de ahora mismo, el de Macklemore (de quien ya hemos hablado aquí), y lo que ilustra, y voy a hacerlo con la ayuda del último vídeo de Lowkey para Double Down News:
EL ULTIMÁTUM SECRETO: Ed Sheeran, Macklemore y el multimillonario vinculado a Epstein
Double Down News, 16 sept 2026
La red secreta que silenciaba a Macklemore queda al descubierto.



TRANSCRIPCIÓN con diversos enlaces o acotaciones de mi cosecha para aclarar o ampliar la información:

Lowkey: Ed Sheeran says he doesn't take sides. That can't be the truth. He chose the side of the Epstein class over humanity.
Ed Sheeran told Macklemore that ‘Free Palestine’ and the image of the Palestinian flag were hurtful to a lot of people he spoke with. The main person Ed Sheeran spoke to was the fanatical Zionist billionaire Robert Kraft [de Brooklyn; el del papel y los embalajes. Es el propietario de los New England Patriots de la NFL. Según Max Blumenthal, es un "miembro de alto rango de la clase Epstein implicado en delitos sexuales"].
Robert Kraft (The Genesis Prize, Jerusalem Theatre, 20.06.2019): After my family, there is nothing I'm more passionate about than the State of Israel and my Jewish identity.
Kraft features in the Epstein Files and previously paid Ed to perform at his wedding.
Kraft told Ed Sheeran that Macklemore is banned from the Gillette Stadium, which Kraft owns and runs a massive Zionist surveillance and propaganda centre from.
Jericka Duncan (Report on Robert Kraft's campaign to stop hate, CBS Weekend News, 8.02.2026): Inside the Patriots Stadium, a command centre of stats tracking hate speech online. It shows where it's coming from, the time of day, and how it's trending, especially among younger people.
The irony, of course, is that Robert Kraft publicly lorded Israel as a bastion of free speech.
Robert Kraft (The Genesis Prize, Jerusalem Theatre, 20.06.2019): I've personally made over 100 trips to our homeland. And as every Israeli knows, including my friend the Prime Minister, it's a bastion of free speech.
While in America, he does the exact opposite, trying to crush your free speech on Palestine.

Kraft donates hundreds of millions of dollars to pro-Israel lobby groups and was even given a $1 million award from Israeli Prime Minister Benjamin Netanyahu.
Benjamin Netanyahu (The Genesis Prize, Jerusalem Theatre, 20.06.2019): Robert Kraft fights back, and he's committed to fight BDS, and to fight the slanders against Israel, and to stand up with the state of Israel. A terrific champion of Israel and someone that I am deeply proud to call my friend.
Robert Kraft (The Genesis Prize, Jerusalem Theatre, 20.06.2019): Thank you, Mr. Prime Minister, not only for your kind words, but for your decades of leadership, but especially what you do for this State of Israel.
One of Kraft's most rewarding experiences has been ferrying sports stars to Israel for propaganda tours.
Robert Kraft (The Genesis Prize, Jerusalem Theatre, 20.06.2019): (…) 27 missions that I've been privileged to lead to Israel. This week, we have 15 current and former New England Patriot players. I'd like to ask them to please stand with their significant others and be recognized.
Kraft isn't just any NFL owner. He is a key political asset in Israel's influence matrix.
His name actually appears on Benjamin Netanyahu's handwritten 2007 list of millionaires.
[Se trata de una lista mecanografiada, y enmendada a mano, con correcciones y añadidos, de magnates potenciales grandes donantes preparada por el entorno de Benjamin Netanyahu para su campaña electoral interna del Likud de 2007, publicada por Yedioth Ahronoth el 22.10.2010 =>
NUMBER 1: Sheldon Adelson (casinos), Ronald Perelman (MacAndrews & Forbes), Stephen Wynn (casinos y hoteles), Ronald Lauder (cosméticos), Tamir Sapir (especulador y promotor inmobiliario), Charles Kushner, Timothy Blixseth, Ira Rennert, Iner Wermemser & Family,, Arnon Milchan, Aviv “Vivi” Nevo, Moshe Gertner, Benny Alagem (fundador de Packard Bell), Zack Gertler, David Bodner, Murray Huberfeld
NUMBER 2: Nasser Khalili, Rupert Murdoch, Summer Redstone, Thomas Lee, William Davidson, Robert Kraft
NUMBER 3 4: Lily Safra, Joseph Safra, Moise Safra, Steven Ballmer, Carl Icahn, Leonard Blavatnik, Eli Broad, Micky Arison, Samuel Zell, David Geffen, Leonard Lauder, Leslie Wexner, Edgar Bronfman (heredero de licores Seagram), Hank Greenberg, Donald Trump, Haim Saban, Mortimer Zuckerman, Henry Kravis, Roland Arnall.

Añadidos a mano: Stef Wertheimer, Eyal Ofer, Gerald Ronson, Moti Ganz, Poju Zabludowicz, Motti Zisser, Manny Weiss, David Hagen, Shvilli (Brassol) [?], Simon Falic, John Gandel, Joshua Rowe, Michael Sinclair, Tony Gelbart, Michael Segal, Yehuda Weingarten, Walter Soriano, Jay Schottenstein, Don Soderquist, James (Jim) Tisch, Zeev Wolfson, Vincent Tchenguiz, Cliff [Clifford M.] Sobel, Len Blavatnik (de nuevo).

Como se ve en la hoja, las correcciones a mano introducen modificaciones en los grupos a que se adscribe a cada magnate, en función de la probabilidad de que aportaran pasta, siendo improbable en los numerados con 3 y 4]
A leak revealing individuals considered to be funders for Netanyahu's political rise.
Inside Gillette Stadium itself, Kraft doesn't just host football. He runs a high-tech command centre that monitors social media in real time, tracking and flagging content critical of Israel and Zionism under the banner of fighting “Anti-semitism”.
Beyond his sports empire, Kraft sat on the board of Apollo Global, alongside Leon Black, Jeffrey Epstein's primary financial vault for a decade.
Kraft himself appears in the Epstein flight logs, while Black was named in the Epstein files after being accused in federal lawsuits of horrific sexual violence, including the rape of a disabled minor inside Epstein's Manhattan townhouse.
This is the same Leon Black who served as a primary donor and top funder to current Israeli president, Yitzhak Herzog.
According to Macklemore, Kraft personally contacted Sheeran to tell him Macklemore would never be allowed to step foot on stage at the Gillette Stadium.
Kraft then organized a coalition of fellow stadium owners to issue an absolute ultimatum. Drop the opener or lose the venues.
Kraft was joined by a broader syndicate of promilitary NFL oligarchs, who use their control over public arenas to enforce political censorship.
Look at Arthur Blank, of the Atlanta Falcons, who controls Mercedes Benz Stadium [Atlanta, Georgia].

Blank is a major financial backer of the joint Nefesh B'Nefesh and Friends of the IDF Lone Soldiers program, which subsidizes foreign fighters moving to Israel to join the Israeli military. A military Blank's own family actively serves in.

Look at David Tepper, of the Carolina Panthers, owner of the Bank of America Stadium [Charlotte], who personally frequents elite galas to bankroll the Friends of the IDF charity.

And look at the Glazer family, owners of the Tampa Bay Buccaneers and the Raymond James Stadium, close personal friends of former Israeli Prime Minister Ehud Barack.

The Glazers fund initiatives to help Israeli combat veterans. And crucially, family member Dan Glazer serves directly on the committee of the Friends of the IDF, actively steering organizational support and financial pipelines directly to the Israeli military apparatus.

Consider the double standard. Kanye West, who released a track literally titled Heil! is currently allowed to book and tour major US venues without issue.
The evolution of “Anti-semitism” will be studied for decades to come.
In fact, Kanye West is actually scheduled to perform at the exact same stadium venues, including SoFi Stadium, in Los Angeles [Inglewood], and Raymond James Stadium, in Tampa, where the billionaire team owners actively moved to ban and cancel Macklemore.

But is Ed Sheeran actually apolitical?
Ed Sheeran: I just want to say to all Ukrainians that I love you. I stand with you and I'm so proud to be playing this fundraising event next week.
He raised millions through United 24, a charity initiative when 95% of the funds are funnelled directly into the Ukrainian Ministry of Defence.
And let's be clear, death, injury, and statistics with regards to civilians and children bear no comparison. Palestine and Gaza are fundamentally worse in every single metric.
The selective morality of pop culture is staggering.
Behind the venues stands the record industry itself, exerting its own immense institutional weight. Ed Sheeran is set to sign a massive deal with Universal Music Group. Follow the executive roster Universal:
[Sir] Lucian Grainge, CEO of Universal [Music Group (UMG)], has been pictured repeatedly at fundraisers for the Friends of the IDF.
Then, there is Haim Saban, a UMG [non-executive] director who is a former Israeli soldier and the largest fundraiser for the Friends of the IDF in history. Saban famously declared, "I'm a one-issue guy and my issue is Israel."

Ed Sheeran was crushed under the immense financial and political weight of an elite cartel of billionaires, stadium owners, lobby groups, and record executives, who run the global entertainment complex.
When taking an a-political stance means capitulating to institutional blackmail and maintaining the status quo for an ongoing genocide, silence is complicity. And when ‘Free Palestine’ becomes too dangerous to say on stage, the stage itself becomes an act of resistance. From Bob Dylan, to Bob Marley, to Rage Against the Machine, to Public Enemy…, music, art, and politics have always entwined, often on the side of the oppressed and marginalized. The idea they should be separate is a political invention by billionaires to benefit billionaires.

I have known Ed Sheeran for over 20 years. He is one of the most talented human beings I have ever known, but he has been led astray in this case.
Once upon a time [3:13 PM, 16.10.2011], Ed tweeted ["new @LowkeyMusic1 album out today! Gonna check it out now..."] in support of my album Soundtrack to the Struggle, which went on to break into the national charts.
That album included the song Long Live Palestine. Ed Sheeran has more power than he knows. And many years ago, he published a song in which he used the words, "You need me, I don't need you." Now is the time for Ed Sheeran to say that clearly to these Zionist overlords. They need you, Ed. You don't need them.

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Sobre el caso Macklemore, puede leerse el artículo sin tapujos, en su blog, de la periodista australiana Caitlin Johnstone, Oh My God Shut the Fuck Up About "Antisemitism" - "Antisemitism" watchdog groups are flipping the fuck out about hip hop artist Macklemore saying “Free Palestine” while opening for Ed Sheeran, and the western press are of course helping to spin this ridiculous nonsense as a massive scandal (Por Dios, ¡que se callen de una puta vez con lo del «antisemitismo»! - A los perros guardianes del «antisemitismo» se les está yendo la olla porque el artista de hip hop Macklemore gritara «Palestina libre» mientras actuaba como telonero de Ed Sheeran; y, por supuesto, la prensa occidental está contribuyendo a presentar este ridículo desatino como un escándalo mayúsculo), 8.09.2026 (4-6 minutos de lectura o audición). Aquí en francés. Vale la pena leer las reflexiones exactas, humanistas, justísimas, de Macklemore, y, desde luego, también la uniforme reacción manipuladora standard de la prensa libre y plural (CBS News, USA Today, The New York Post, Variety, TMZ) o, claro, de la indescriptible ADL u otras instancias estructurales de hasbará.

Vistas las tradicionales y consuetudinarias acusaciones difamatorias de "antisemitismo" que, procedentes de semitocidas y semitocidófilos, diluvian ahora sobre Macklemore, Johnstone se ha sentido obligada a publicar ayer, día 16, una coda a su artículo anterior: Debunking The Claim That Macklemore Has A “History Of Antisemitism” - People who defend Israel’s actions in Gaza consistently act in bad faith. Of course they do. They support genocide. They’re bad people.

Recomiendo también la lectura del artículo del artista y escritor radicado en Los Ángeles Trish Hosein, Ed Sheeran, Macklemore, and the music industry’s habit of choosing white feelings over Black and Brown lives - How Robert Kraft got Macklemore booted from Ed Sheeran's tour for saying "Free Palestine" — and why the backlash reveals the racial logic of "neutrality," from Billie Holiday's "Strange Fruit" to today's entertainment industry, Mondoweiss, 17.09.2026.


Billie Holiday, Strange Fruit, 1939
La letra, que pone los pelos de punta, aún más en la voz de Billie Holiday, es del poeta comunista judío Abel Meeropol.


_____________________________
ACTUALIZACIÓN del 21.09.2026:

Robert Kraft ha afirmado que sus donaciones ayudan a los palestinos. El periodista Jonah Valdez decidió llevar a cabo una investigación al respecto y la ha publicado en The Intercept el 18.09.2026.
El balance de Valdez permite aseverar que el señor Kraft trata de envolvernos con sus bolas —algo complicado dada su naturaleza profundamente inverosímil:
Robert Kraft Claims His Donations Help Palestinians. Turns Out He’s Funding Friends of the IDF
An analysis of tax forms by The Intercept show Kraft’s charity and LLC have donated to Friends of the IDF and AIPAC’s super PAC
Jonah Valdez - The Intercept, September 18 2026, 12:16 p.m. ET

Billionaire New England Patriots owner Robert Kraft wants you to know he has spent “decades” supporting the Palestinian people.
Days after pressuring pop singer Ed Sheeran to drop rapper Macklemore from his tour over the latter’s “Free Palestine” remarks, Kraft claimed in a statement posted to social media that “for decades” he has “supported efforts that create opportunity for Palestinians,” such as initiatives to “to build businesses, create jobs, and forge relationships” between Israelis and Palestinians. The claims were made as a part of Kraft’s pledge to give $2 million to “aid in the region.”
Kraft did not disclose which organizations would receive his money.
Nor did he mention his long history of donating to Friends of the Israel Defense Forces, an organization that collects money on behalf of Israeli soldiers, and the United Democracy Project, the super PAC of the American Israel Public Affairs Committee [AIPAC], which lobbies to tilt American politics in favor of Israel. Kraft has also given money to a host of pro-Israel advocacy groups that attack critics of Israel, spread content that critics warn is Islamophobic, and have steadfastly defended Israel against mounting evidence of its ongoing genocide of Palestinians in Gaza.
The Intercept’s analysis of tax forms since 2006 show that Kraft’s charity group, the Kraft Family Foundation, has donated $196,000 to the Friends of the IDF and an additional $123,000 to other organizations — Brothers for Life and Friends of Israel Disabled Veterans — that directly benefit Israeli military soldiers. In his seven separate donations to the Friends of the IDF, Kraft earmarked the money to “Promote education for young Jewish soldiers.”
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LEER MÁS.
Es decir, en resumen, "Queda al descubierto la hipocresía sobre Palestina de Robert Kraft, donante de AIPAC y de Friends of the IDF": lo que revela el análisis de esas declaraciones de impuestos de la Fundación de la Familia Kraft es que no ha parado de financiar sionismo desde al menos 2006, así como a grupos que parece que se dedican más bien a influir en los medios de comunicación y en las narrativas públicas:
196.000 dólares para Friends of the IDF ("Amigos de las FDI"), un grupo que ha reclutado a jóvenes judíos estadounidenses para reforzar el ejército israelí, incluso durante la guerra de Israel en Gaza.
123.000 dólares para Brothers for Life y Friends of Israel Disabled Veterans, organizaciones que apoyan a las tropas coloniales genocidas israelíes.
3 millones de dólares para el "super PAC" de la red de cabildeo sionista AIPAC —el United Democracy Project— desde 2022.
La Foundation to Combat Antisemitism (Fundación para Combatir el Antisemitismo) se lanzó en 2019 con una inversión de 20 millones de dólares por parte de Kraft.
El Middle East Media Research Institute (MEMRI), cofundado por un exoficial de inteligencia israelí y asesor "antiterrorista" de varios presidentes de Israel, recibió 150.000 dólares.
CAMERA, un organismo de vigilancia mediática que obstaculiza reportajes e investigaciones académicas críticas con Israel, recibió 63.500 dólares.
Investigative Project on Terrorism, una organización calificada por sus críticos como parte de la "red de islamofobia de EE. UU.", recibió 50.000 dólares.
Se recuerda que los palestinos constituyen un pueblo que el Sionismo martiriza y saquea hace muchas décadas, con una crueldad extrema y sistemática, gracias a la financiación de gente como Robert Kraft.